The Spring Showcase is coming up in less than a month (April 4-10), so here’s a preview of several films playing at the festival. We’ll be announcing the full program and schedule next week.
Spring Showcase 2014
Breaking News! We have updated our website with new HIFF Ohana membership plans, passes and ticket packages just in time for our upcoming Spring Showcase (April 4-10). Memberships will be valid for one year from date of purchase, and we’re working to increase the benefits that come with being a member. HIFF is a 501(c)3 non-profit organization, and by becoming a member you help HIFF to bring great international films and filmmakers to Hawaii and to provide free youth and adult educationa…
One of the most lavish events of the Hawaii International Film Festival is the HIFF awards and Governor’s Reception at Washington Place. The festival gives out a variety of awards decided by guest jurors (both local and international). Washington Place used to be the home of the governors in Hawaii, but recently has been mainly used for special events.
Guests were treated to a catered event with Chinese cuisine, fresh fruit and vegetables. There was also a wine and beer station. Many directors, crew and stars from the movies at the festival attended this event.
HIFF’s 2011 Guest Filmmaker Program officially concluded today with a wonderful visit to Waipahu High School featuring director Ryan Kawamoto. The Guest Filmmaker Program is offered annually as part of HIFF’s education programs, and takes filmmakers to schools across O’ahu to speak with local students. For more detailed information about the program click here.
Click Here for Mahalo’s!
Last night at the Governor’s Reception, the festival awards were presented to these filmmakers. First, the NETPAC Award was given to HANAAN, directed by Ruslan Pak. The NETPAC Award is presented to an Asian director for their first or second feature film.
The Halekulani Golden Orchid for Best Documentary was given to SPLINTERS, directed by Adam Pesce. Finally, the Halekulani Golden Orchid for Best Feature was given to PATANG, directed by Prashant Bhargava. A new screening of PATANG was added on Sunday, October 23rd at 8:45 PM.
The Audience Choice Awards presented by Hawaii News Now will be announced on Monday, October 24th.
HANAAN – Fri, Oct 21 – 3:45 PM
SPLINTERS – Thu, Oct 20 – 4:00 PM
PATANG – Sun, Oct 23 – 8:45 PM *New Screening*
An Afternoon With Hawaii Five-O was an amazing fan-friendly special event from the Hawaii International Film Festival. For two hours, attendees listened to the director, producer and five cast members discussing inside information about the show. There were also some questions from the audience including addressing the Bromance between McG and Danno, where the cast lives in Hawaii, and how Daniel Dae-Kim uses a skateboard to study his lines.
Two nights ago, I decided I never want to have kids. Why? Because I caught the first screening of WE NEED TO TALK ABOUT KEVIN — a look at the relationship between a mother and her troubled teenage son. (J/K about the “never wanting kids” part………sorta.) It was also awarded BEST FILM 2011 by EuroCinema Hawaii at last night’s awards gala.
The Lynne Ramsay-driven vehicle paints a pretty bleak portrait of a mother sorting out her memories following an act of violence that involes her only son and it’s without a doubt the most demanding film I’ve seen at the fest so far. It raises a lot of questions about nature vs. nuture, parenting, and every shot is rife with symbolism, which is why it’s perfect for HIFF and our discerning audience members.
Tilda Swinton is really, really good, proving again that there’s nothing the woman can’t do (has she cured cancer yet?), but the real surprise is newcomer Ezra Miller who holds his own against her effortlessly, expanding on the work he did in his first film AFTERSCHOOL, which had similar themes.
Like anyone who fell in love with the book The Perks of Being a Wallflower as a teenager ten+ years ago (guilty!), you were probably feeling suspicious when you heard there was a film adaptation in the works. But after finding out this kid Ezra’s in it, and seeing his acting chops in KEVIN, my hope has been restored.
The director Ramsay has shot some delicately charged scenes that give the actors enough room to act, considering how loaded the topic is. There are two scenes in particular that just sum up everything I’m trying to get across unsucessfully in this post, so I’ll just let you sift through the film to try and find them.
In a perfect world, all three will be nominated come awards season. Whether you love or hate the film (two people walked out of my screening), it was an admirable effort overall.
It screens one last time tonight at 930p. Bring someone so you both can talk about it. You’ll need to.
Saturday, October 15 was one of the biggest nights of the festival. In addition to all the movies playing at Regal Dole Cannery Theaters, there were three major events. First there was the Meet the Jurors Reception at Hotel Renew, then it was the Eurocinema Hawaii Black Tie Awards Gala at the Sheraton Moana Surfrider. Also going on was Sunset on the Beach screening for the film festival, but I never made it there. Too many amazing nightlife parties going on.
Have you ever met a blog post that didn’t have an iPhone? Now you have. But I figure given the subject matter, my poor Droid quality photos fit just nicely with the “on the rocks/blurry” theme. Which last night kind of was. So consider these gritty 5-mgpxls an aesthetic desicion. I’m an artist, ‘kay?
Last night Honolulu’s top mixologist (Nobu’s Dave Newman, thirtyninehotel’s Christian Self, among others—what up, Maria Burke!) got together to fashion some DiSaronno creations at the Young Market’s-organized event at the Halekulani Garden Terrace. I mean, I’mm nt a rlly big drnker but I kinda of llove DiSanronnona, cnan you tellnfrom thsse typpos?? Far superior photos on Honolulu Pulse here.
Tim Rita, the head bartender of Lewers Lounge, took home the honors (just two votes over Christian), with his “Don de Coco”—an amaretto, Dewar’s, Italian basil leaf and nutmeg concotion that had me loosening the knot off my tie and undoing my top button. Like, buy me a drink first, Tim Rita! Oh, wait…
Afterwards, it was off to my first movies at HIFF. SOUND X VISION’s THE WONDER YEAR (pictured above with Josh) and the opening of EuroCinema with WE NEED TO TALK ABOUT KEVIN (which we need to talk about later, but I’m still processing it).
Who else caught 9th Wonder in action? Still picking your faces off the floor because he melted it off or what?
First, what you do know about Michael Giacchino: he is the composer whose work can be found breathing emotion into every episode of the Hawai‘i-filmed LOST; every shot of blockbuster’s like MISSION: IMPOSSIBLE III, THE INCREDIBLES, STAR TREK; and who won an Academy Award for UP (which, congratulations and all Michael, but I’ll still never forgive you for making me cry in front of a date just seven minutes into UP, btws.)
In other words, what people do know about Michael Giacchino is that Michael Giacchino is amazing.
Today, he’ll be one of five at BEHIND THE SCENES: A ROUNDTABLE DISUCSSION WITH TOP COMPOSERS (including 9th Wonder, Woodrow Wilson Jackson III, Sarah Matarazzo and Stephanie Diaz-Matos) at 1pm today. Later, Michael will be at a screening of his latest J.J. Abrams-collaboration SUPER 8 + A CONVERSATION WITH MICHAEL GIACCHINO at 3:15pm.
But before you attend both these sonic treats, here’s a few things you didn’t know about the man behind the music….
1. How to pronounce his name. If you’re gonna fan out, getting the guy’s name right is crucial. I’ve gone through the hard labor of setting this Google Translate up for you so you can hear the pronunciation for yourself. Like any one who attends the same church I do (Olive Garden’s Never Ending Pasta Bowl, noon, Sundays), you know that the “double cc” in Italian makes a “k” sound. It’s not a concrete fact, but every time you mispronounce “gnocchi,” someone’s Rosetta Stone somewhere scratches itself. Also, did you know “Giacchino” means “Jacket” in Italian? Probably not, but that’s not going in your “5.” That one was free.
2. For that infamous LOST score he used parts of a plane fuselage as percussion. Seriously, I don’t think I’ve ever been “aware” of music in a TV show until LOST. (Then again, I don’t think I’ve ever been “aware” of TV in general until LOST.) I once heard someone say that film is 50% sound, which is pretty astute, but that Michael was able to bring that fact to life on television is truly illuminating. Anyway, I think it says something that he’s able to incorporate components central to the show to the score and it shows. I also think it says I’ve cried during more LOST episodes than I can count and I’m #sorry #notsorry.
3. He scored the Medal of Honor video game series. Who would’ve thought all that time we were telling our parents we were “finishing up our world history homework” (aka dominating Medal of Honor), Michael was right there studying with us the entire time?! And teenagers thought classical musical was “boring”…… Pffffffff.
4. He’s what makes Disneyland’s Space Mountain so thrilling. Hey, so do you guys wanna hear something really dorky OR DO YOU GUYS WANNA HEAR SOMETHING REALLY DORKY? When my college roomates and I discovered LOST we were freshmen at a liberal arts school in Southern California, 10 minutes away from D-Land (that’s Disneyland for all you non-annual pass holders). It’s a semi-long story, but here’s the Fastpass version: Whenever we would ride Space Mountain, right before the first rollercoaster drop, we’d shout out “OH MY GIACCHINOOOOAAAAAAAHH!!!” It sounds about as ridiculous/embarassing as it looks in this blog. But hey, look, at the time, like one half of America’s population, we were obsessed with LOST and didn’t have jobs.
Anyway, there’s a lot more you probably don’t know about him, but you can. Get in on the conversation.