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Life in a Day

Hey guys, here’s another great opportunity brought to you by Youtube.  If you missed out on our 2010 HIFF Fall Festival deadline (which, by the way, is still open to high school students and younger), you may want to check this out.  The call seems pretty open ended as far as content goes, so let’s get real weird with it everyone!

Oh and PS, did I forget to mention that the most interesting and compelling footage will be used in an experimental documentary, directed by Kevin Macdonald (THE LAST KING OF SCOTLAND) and produced by Ridley Scott (this guy literally has 33 projects in production).



Life In A Day is a historic global experiment to create the world’s largest user-generated feature film: a documentary, shot in a single day, by you. On July 24, you have 24 hours to capture a glimpse of your life on camera. The most compelling and distinctive footage will be edited into an experimental documentary film, executive produced by Ridley Scott and directed by Kevin Macdonald.

For more information, visit


Flip through the pages of Vogue / GQ / that-indie-fashion-rag-“only-you”-read and you’ve probably noticed a trend you can’t exactly strut down the catwalk. Or if you haven’t, then take off those wayfarers or aviators or wayfarer-ed aviators (whatever it is we’re supposed to be wearing these days) and you’ll see this blog isn’t talking head-to-toe denim-on-denim here, people, but “Fashion Films.”

In terms of “cinematic advertising,” we haven’t seen torque like this since BMW’s glossy high-budget campaign, THE HIRE, almost 10 years ago. And while recruiting the talents of Hollywood stars and directors isn’t an original marketing move or anything, with the mainstreamed-Internet and YouTube, well, why not?

Dior looks to be a cut above the rest (remember this patisserie cupcake of an ad from Sofia Coppola?) with their latest campaign LADY BLUE SHANGHAI starring legend-in-the-making Marion Cotillard, directed by already legendary David Lynch. And Prada’s FIRST SPRING by filmmaker Yang Fudong leaves its mark by mixing minimalist-existentialism in a way I’m sure can be deconstructed a la Chuck Klosterman, but they’re playing really awful local covers of Crosby, Stills, and Nash in this coffee shop, so I’m not in the mood right now. Oh yeah, and I’m not Chuck Klosterman.

Full of Lynch signatures: smoky dream-like logic, wide shots of drab set design with a vomit color scheme (by John Galliano, an added bonus), flickering electricity and HEAVY DRAPES EVERYWHERE.

Read more for ‘Part 2’ and Yang Fudong…

Surf’s UP

Recently it’s been hotter than a cat on a tin roof, which has been a blessing for people who actually enjoy water fun, beach bumming, being outside in general and all those other really warm things.  For those of us with less melanin and more hobbit-tendencies, it’s almost tempting to go to this refreshing “beach” thing I keep hearing people talk–but now we don’t have to!


Thanks to the Doris Duke Theater, this Friday premieres the 3rd Annual Surf Film Festival which runs from July 9th thru July 31st.  This year the Doris Duke will be showing 10 surf-packed films, including Fiberglass & Megapixels which premiered at the 2010 HIFF Spring Showcase

Opening night is this Friday at 6PM, with free drinks by Kona Brewing Company and Barefoot Wine, food for purchase by Da Spot and entertainment by Dr. Zaius.  Get there early as the opening film Lost Prophets: Search for the Collective (which looks pretty fab) starts at 7:30.

G, M, R, X? – The Origin of U.S. Film Ratings

Have you ever wondered how we arrived at the current film rating system in the United States? The current ratings are: G, PG, PG-13, R, NC-17, listed in order from general to restricted audiences. If you’re interested in learning more about the history of these film ratings, read the full article below.


Call For Entries is closing in 2 days!

[img_assist|nid=349|title=|desc=|link=url|url=|align=right|width=300|height=198]We just wanted to remind everyone that the final deadline for submitting your film to HIFF is fast approaching. There are only 2 days left; your entries have to be postmarked by Thursday, July 8th. There is a fee to submit your film, except if it is in the Made In Hawaii category. HIFF will notify all film submitters if their film has been selected or not by early September.

Submit Your Film to HIFF Today!

If you’re submitting a film in the Student Under 18 category (high school students and younger), that deadline is August 1st, 2010, so you have a little more time. Submitting a film in this category is free.

Update July 9, 2010: HIFF’s 2010 Call for Entries is now closed, except for high school students and younger.

Still BREATHLESS After 50 Years

This summer celebrates 50 years of the French New Wave classic by the single most influential auteur of the movement himself Jean-Luc Godard and it’s an anniversary that couldn’t be more deserved.

It’s often said movies are divided into the two categories:  before-Breathless and after-Breathless.  I mean, where would independent cinema be without this piece of innovative celluloid?  Charmingly raw with it’s use of shaky hand held cameras, jump cuts, freeze frames, use of non-professional actors, jumbled narrative, improvised naturalistic dialogue, shooting on-location with everyday lighting, film reference upon film reference upon film reference, breaking-the-fourth-wall and self-reflexiveness, Godard’s Breathless influenced, well… EVERYTHING.  Fin.

The “Happy 50th Birthday, Breathless” Trailer

More about Godard’s latest film after the jump…


Pierrot le fou (1965)

Traditionally, HIFF has been a pretty big hitter when it comes to films of Asia and the Pacific; and don’t get me wrong, I dig it.  However, if I were to pick a favorite (and believe me, I’m going to be the type of parent that will have a favorite child), I’d have to say that European film has stolen my heart–and with style.

Pierrot le fou (1965)Pierrot le fou (1965)

Celebrating it’s 30th anniversary, HIFF will be bringing in a new-cool to this year’s fall film festival.  Anderson Le recently took a trip to the 63rd Festival de Cannes, and although it’s not set in stone which films will be chosen, I can guarantee HIFF30 will be one of the best yet. If not, I’ll go to Cannes myself next year to make sure of it (did that work? Can I go to Cannes yet?).

HIFF has also partnered up with EuroCinema Hawaii this fall, to whom I’d like to thank for making our Euro-faves a whole lot easier to enjoy.  Founded in 2009, EuroCinema Hawaii has taken some significant strides in assisting creative media students with scholarships and the means to have their stories heard worldwide.

And because I love posting trailers and movie clips, the following are three trailers I’ve casually come across (see: have been obsessing over) this summer.  Tournée and Dogtooth both premiered at Cannes, and Terribly Happy is what would happen if the Coen Brothers had a baby with David Lynch.


Tournée (2010) – Mathieu Amalric / France

I Left My Heart in New York (NYAFF)

[img_assist|nid=351|title=NYAFF 2010 Logo|desc=|link=url|url=|align=right|width=217|height=129]I wish I was in New York this week, since the 2010 New York Asian Film Festival is going on right now. This collection of modern films from China, Japan, Korea, Hong Kong and a few other Asian countries will knock your socks off! From martial arts flicks like IP MAN 1 & 2, MERANTAU and RAGING PHOENIX to intriguing dramas like THE ACTRESSES, ECHOES OF THE RAINBOW or CONFESSIONS, there’s something for everyone.

HIFF is working to get some of these films for our audiences here in Hawaii to play in our October festival, but we can’t announce any titles just yet. Be sure to check out the NYAFF festival trailer below, it’s really cool.

God Save the Queen?

I had this friend who said he saw BAND OF OUTSIDERS in a movie theater once and it changed his life a little. Now I want my life to change a little!

As the last vintage movie house on Oahu, Queen Theater on Waialae Ave in Kaimuki would be the perfect venue for these sort of films. Concerned residents are already forming a coalition to save it, which you can read all about in the June 23rd issue of the Honolulu Weekly. Be a part of their cinephile army? Visit and join their email list to add your signature to their “1,000 Friends of Queen Theater” petition.


I’m Ready for My Close-up

I’ve been obsessed with screen tests lately.  Must be all that effortlessly cool (warning: watching these videos too closely/for too long could bruise you).  Here are three of my favorites.  The Entire Male Population, take notes.

Two more videos are included in the full article.

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