We have just added one more screening of epic samurai film 13 ASSASSINS on Thursday, April 7th at 9:00PM. Tickets will soon be available online and at our box office.
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It’s only fitting that HIFF would get a sponsor for a film that’s all about sponsorship. So a big thank you (see logo placement below) to Electric Pencil! Thank you so much for sponsoring the screening of POM WONDERFUL PRESENTS: THE GREATEST MOVIE EVER SOLD on Monday, April 4 at 6:30 PM. For tickets and more information on the film click here.
Non-fiction fan? Like your drama real? Don’t worry HIFF Spring Showcase has got you covered! No matter what kind of documentary your into, this spring HIFF will satiate your appetite for all things non-fiction with four exciting and entertaining documentary films. In KABUKI-ZA: FINAL CURTAIN and MAKE BELIEVE, the viewer gets an unparalleled glimpse into the reality behind the illusion, entering the worlds of theater and magic. While in POM WONDERFUL PRESENTS: THE GREATEST MOVIE EVER SOLD and THESE AMAZING SHADOWS, the documentary form takes on the narrative feature, through a satirical analysis of product placement and an in depth look at film archival.
Click on the blog title above to find out more about these 4 fascinating films…
HIFF has just confirmed a new film for this year’s Spring Showcase. See the details below:
PIANO IN A FACTORY
Chen is a musical entertainer employed at a deteriorating steel plant. Embroiled in a custody battle with his estranged wife, he is at pains to acquire a piano, which he hopes will secure the affections of his musically inclined daughter. This leads to a string of failed schemes, including a bungled robbery at a music school, before Chen enlists the assistance of his long-suffering girlfriend and a cadre of ragtag locals to build the perfect piano.
Director: Zhang Meng
China 2010 | Mandarin w/ English subtitles | 107 M
Showtime: WEDNESDAY, APRIL 6 – 8:45 PM DOLE
Fans of genre-bending splatter-fest films better hold on to their seats because Yoshihiro Nishimura and Sushi Typhoon are back with the goriest, splatter-filled zombie epic to ever come out of Japan, that’s right it’s HELLDRIVER. Over the last ten years Nishimura, and a small group of like-minded horror directors have carved out a new genre in Japanese horror. It’s part comedy, part over-the-top gore and blood, and always filled with cute young girls, freakish mutants, and bizarre special effects. These low budget thrills have made waves at film festivals around the globe, making a name for Nishimura and fellow director Noboru Iguchi (KARATE ROBO-ZABORGAR) among others. In 2010 the rising demand for these campy b-movie flicks culminated in the formation of Sushi Typhoon, a production offshoot of the Nikkatsu Corporation. This specialty label burst onto the scene last year with ALIEN VS. NINJA and MUTANT GIRLS SQUAD, which was co-directed by Yoshihiro Nishimura, Noboru Iguchi, and Tak Sakaguchi. HELLDRIVER represents Nishimura’s first solo effort with Sushi Typhoon, and since the release of his epic TOKYO GORE POLICE (2008).
In HELLDRIVER, Nishimura takes the zombie thriller to new dizzying heights, pulling out all the stops, and complete with his trademark comedy-gore. Somewhere in the near future, a mysterious mist has covered the northern half of Japan, turning the local population into flesh-eating zombies. Japan is ultimately driven to divide the country in two, erecting a heavily fortified wall to contain the zombie-infected northern wasteland. And just when all hope seems lost, in walks Kika (Yumiko Hara), a beautiful high school girl armed with a chainsaw sword powered by an artificial heart. Recruited by the government, Kika leads a ragtag group of desperados on a secret mission into the zombie-infected wilds to exterminate zombie queen Rikka (Eihi Shiina from AUDITION and TOKYO GORE POLICE) and put an end to the plague of the living dead. But the road is fraught with a thriving zombie culture that refuses to lay down and die.
A zombie road-movie the likes of which you’ve never seen before, HELLDRIVER is a J-horror that will have you laughing and cringing at the same time!
HELLDRIVER Showtimes: Friday, April 1 at 9PM Dole Cannery
If you’d like a mainstream hollywood view on some of these international films we’re offering at our festival, we have found a few of them reviewed by VARIETY, a Film / TV / Entertainment publication.
So there are six Japanese films screening at this year’s Spring Showcase, but you can only pack half that many into your busy schedule, how do you possibly decide what to see? As a huge Japanese film fanatic, I was wondering the same thing, but after careful consideration I managed to narrow it down to three that especially peaked my interest. Hopefully my thoughts will make your job a little easier! Continue reading below to discover what made the list and why….
These were the last words of a fugitive killer before he was executed in a new film from South Korea called THE RECIPE. What would cause a killer on the run to stop and savor a bowl of soybean paste stew (된장 찌개 – doenjang jjigae) while the police caught up to and arrested him? It must have been truly amazing.
TV Producer Choi Yu-jin sees an interesting story behind this, and starts investigating what made this bowl of stew so special. A mystery slowly unfolds regarding the disappearance of the cook, a young lady named Jang Hye-jin. Choi visits farms in the area to figure out all of the ingredients that went into this stew, in the process uncovering a love story.
This is director Anna Lee’s second feature film, and the first one since her debut “Rub Love” 12 years ago. She was also notable as a 19 year old screenwriter on Park Cheol-Su’s 1995 film 301/302. See reviews for THE RECIPE at Variety and Film Business Asia.
THE RECIPE Showtimes (tickets go on sale March 23rd, 2011)
Actress Yu Aoi had her debut role in Shunji Iwai’s ALL ABOUT LILY CHOU-CHOU (2001), went on to star in HONEY AND CLOVER & HULA GIRLS (2006), and has even had voice acting roles in anime films TEKKON KINKREET and REDLINE. She’s back in 2011 with PATISSERIE COIN DE RUE (translated from French as Pastry Corner).
She plays Natsume, a young girl from the country coming to Tokyo in search of her fiance. When arriving at the pastry shop the film is named after, she finds that he no longer works there.
After going through a range of emotions, she asks for a job there, since she has experience at her parents’ small town cake shop. She almost gets declined due to the high end requirements of the pastry shop, but eventually Natsume is brought on as an apprentice.
Meanwhile, legendary patissier Tomura (Yosuke Eguchi) is a regular at the shop. He suddenly left the field 8 years ago, but still teaches at culinary schools and writes books about the topic. We see Natsume grow as a pastry chef (including the inevitable mistakes made) and her interactions with Tomura are a big part of the film.
PATISSERIE COIN DE RUE Showtimes (tickets go on sale March 23rd, 2011)
While this last film doesn’t exactly fit in with the “foodie” theme, it is somewhat food related. HONEY (Bal in Turkish) is the third and final film in Semih Kaplanoğlu’s “Yusuf” trilogy. The previous films are Milk (Süt – 2008) and Egg (Yumurta – 2007), and are in reverse chronological order, the main character in his mid 30’s, then as a high school graduate, and finally as a boy of six. HONEY won the Golden Bear award (best film) at the Berlin International Film Festival in 2010. It’s a more dark and serious film, exploring Yusuf’s relationship with his parents, including his father who collects honey from tall trees in the forest, and struggles in school which lead him to become a poet later in life.
HONEY Showtimes (tickets go on sale March 23rd, 2011)
Most everyone is familiar with movie posters as film promotional materials, but what I find more interesting are “one sheets”. These one sheets are full color, glossy, letter sized, two-sided, and printed on card stock. They are meant to catch your attention, and provide some additional details about the film. We’ll have some of these one-sheets in our box office for you to view. I’m highlighting several of them in this post that stood out because of their colorful designs. Click on the images below to see bigger versions.
DON’T GO BREAKING MY HEART (Hong Kong)
See more one sheets after the break…
Last weekend, I had the chance to go to the 29th Annual San Francisco International Asian American Film Festival (SFIAAFF), so of course, I went! This year’s theme was “Stories to Light.” Check out their trailer: